So, to emulate this use the plugins in the following order: The large console is then routed to either back into the box or to a tape machine. Then the output of that is routed back to a large console. In a normal studio you have a preamp running either to a digital recorder (computer or something else) or a tape machine. In order to best emulate a real analog studio set up, how should I set up my Slate plugins? Although we're not sure which sample rate was used to come to this determination. Which oversampling setting is best/most authentic in VCC?Ī. We'll do it properly, and our microphone emulation technology will help.ħ. We plan to revisit room modeling so stay tuned. They did not do that gorgeous sounding room justice and I don't like putting out things that aren't awesome. Steven Slate says: We made some impulses. Will the NRG Studios and SSDR impulse response files ever be released? If not, what in your opinion is a good Altiverb or Waves IR ( library) substitute? The closest hardware would be something like an Aphex Aural Exciter or BBE Sonic Maximizer.Ħ. This is the first free plugin that Slate Digital has ever released. Revival: An exciter that adds bottom end weight or airy top end to tracks and mixes. With the two circuit settings and the transformer, it has a lot of versatility. The FG-401 Compressor can achieve tones that sound like SSL dynamics, but also dives into sounds similar to Distressor, dbx 160. In the plugin module Circuit 1 is punchier and more dynamic whereas Circuit 2 is smoother/more transparent. VCA compressors have a "clean" sound and have precise controls. All are voltage controlled amplifier based. Which revision is not certain at this time.įG-401: A hybrid emulation of the SSL 4000 channel compressor and similar characteristics of an Empirical Labs Distressor, dbx 160A, etc. Think of them as a solid state emulation of tubes/valves. FET compressors typically have more "character" than VCA style. It compliments the VCC plugin's "Brit 4k" console.įG-116: Urei/Universal Audio 1176, which is an field effect transistor style compressor. It compliments the VCC plugin's "Brit N" console.įG-S: Solid State 4000E channel equalizer. Unlike the hardware it has two mid-bands and the settings are not stepped. Includes a transformer on/off button and two circuit paths.įG-N: Neve 1073 equalizer and line amp. The Slate VMR is based on the 500 series "lunchbox" chassis/racks.įG-401: It's based on several VCA compressors. What is the Virtual Mix Rack and what do its modules emulate? The FG-Mu is a hybrid of a FairChild 670 and a Manley Laboratories Variable Mu.ĥ. The FG-Red is a Focusrite Red 3 compressor. The 2" machine is a Studer A827 from NRG Studios.Ī: The FG-Grey is an SSL 4000 buss compressor with a St. Which tape machines and tape types does VTM emulate?Ī: The 1/2" machine is a Studer A80 RC, owned by mastering engineer Howie Weinberg. The algorithm is based on a combination of two BC-6Bs and a BC-3 (same design as the BC-6B but with less inputs/faders)ģ. RC Tube = RCA Broadcast Tube Consolette, a hybrid BC-6B/BC-3 model. VCC 2 is scheduled for a January 2015 release.Ī: Brit 4k = SSL 4000G (Specifically, this one: Ameraycan Studio A ) VCC 2.0 will add a sixth console and have improved CPU usage. In addition to Pro Tools AAX and 64-bit support FG-X 2.0 will feature a better limiter algorithm plus improved CPU usage. Will mono versions of VBC be released? What about AAX/64-bit for FG-X and AAX VCC?Ī: Yes, in due time. Steven constantly gets asked the same questions, so I figured this would be a good place to point people to.ġ. I was thinking of compiling an Unofficial Slate Digital FAQ (frequently asked questions) list.
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